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Barbara Kruger 
Female American Collage Artist
Biography 
 Born: 1945, Newark, New Jersey, America. 
After attending Syracuse University, the School 
of Visual Arts, and studying art and design with 
Diane Arbus at Parson’s School of Design in 
New York, Kruger obtained a design job at 
Condé Nast Publications. 
Working for Mademoiselle Magazine, she was 
quickly promoted to head designer. Later, she 
worked as a graphic designer, art director, and 
picture editor in the art departments at House 
and Garden, Aperture, and other publications. 
This background in design is evident in the work 
for which she is now internationally renowned. 
She has taught at the California Institute of Art, 
The School of the Art Institute of Chicago, and 
the University of California, Berkeley. She lives in 
New York and Los Angeles.
Artist Practice 
She layers found photographs 
from existing sources with pithy 
and aggressive text that involves 
the viewer in the struggle for 
power and control that her 
captions speak to. In their 
trademark black letters against a 
slash of red background, her 
instantly recognizable slogans 
are designed and pitched as 
advertisements.
Themes & Concepts 
Much of her text questions the viewer about… 
 feminism 
 classicism 
 consumerism 
 and individual autonomy and desire 
…although her black-and-white images are 
culled from the mainstream magazines that sell 
the very ideas she is disputing. As well as 
appearing in museums and galleries worldwide, 
Kruger’s work has appeared on billboards, 
buses, posters, a public park, a train station 
platform in Strasbourg, France, and in other 
public commissions.
Untitled (Your Body Is A 
Battleground) by Barbara 
Kruger (1989). 
 Barbara Kruger explores feminist 
theory through artistic expression. 
The problematic social norms 
that arise from patriarchy are 
exposed through her designs. In 
much of Kruger’s work, she 
reveals concepts with such an 
impact that the viewer is forced 
to further consider her or his own 
opinions and perceptions in 
relation to these issues. 
Photographic silkscreen on vinyl 
(284.5 x 284.5cm).
Untitled (Your Body Is A 
Battleground) by Barbara 
Kruger (1989). 
 Kruger also works with the subject 
of the gaze and its relation to 
male power. Through the gaze, 
men are able to gain control 
over the bodies of women, 
creating a tension between the 
two sexes. Kruger ties this to a 
critique of consumerism, in that 
everything in Euro-American 
culture can be bought, sold, and 
owned. This ideology extends to 
relationships amongst individuals 
further causing struggles over 
control and power. Photographic silkscreen on vinyl 
(284.5 x 284.5cm).
Artist Talk 
 Click below to view a YouTube video on 
a talk by Barbara Kruger. 
 https://www.youtube.com/watch?v=DP 
7hbDkJql8
Kruger’s Artworks 
 Click to view a YouTube video of Kruger artworks. 
 https://www.youtube.com/watch?v=HpjGISvBSp 
M 
 Homework: Analyse one of Kruger’s work using 
the frame (one of the frames or the conceptual) 
you believe it best fits into, using no less than 500 
words.

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12VA Theory - Barbara Kruger

  • 1. Barbara Kruger Female American Collage Artist
  • 2. Biography  Born: 1945, Newark, New Jersey, America. After attending Syracuse University, the School of Visual Arts, and studying art and design with Diane Arbus at Parson’s School of Design in New York, Kruger obtained a design job at Condé Nast Publications. Working for Mademoiselle Magazine, she was quickly promoted to head designer. Later, she worked as a graphic designer, art director, and picture editor in the art departments at House and Garden, Aperture, and other publications. This background in design is evident in the work for which she is now internationally renowned. She has taught at the California Institute of Art, The School of the Art Institute of Chicago, and the University of California, Berkeley. She lives in New York and Los Angeles.
  • 3. Artist Practice She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to. In their trademark black letters against a slash of red background, her instantly recognizable slogans are designed and pitched as advertisements.
  • 4. Themes & Concepts Much of her text questions the viewer about…  feminism  classicism  consumerism  and individual autonomy and desire …although her black-and-white images are culled from the mainstream magazines that sell the very ideas she is disputing. As well as appearing in museums and galleries worldwide, Kruger’s work has appeared on billboards, buses, posters, a public park, a train station platform in Strasbourg, France, and in other public commissions.
  • 5. Untitled (Your Body Is A Battleground) by Barbara Kruger (1989).  Barbara Kruger explores feminist theory through artistic expression. The problematic social norms that arise from patriarchy are exposed through her designs. In much of Kruger’s work, she reveals concepts with such an impact that the viewer is forced to further consider her or his own opinions and perceptions in relation to these issues. Photographic silkscreen on vinyl (284.5 x 284.5cm).
  • 6. Untitled (Your Body Is A Battleground) by Barbara Kruger (1989).  Kruger also works with the subject of the gaze and its relation to male power. Through the gaze, men are able to gain control over the bodies of women, creating a tension between the two sexes. Kruger ties this to a critique of consumerism, in that everything in Euro-American culture can be bought, sold, and owned. This ideology extends to relationships amongst individuals further causing struggles over control and power. Photographic silkscreen on vinyl (284.5 x 284.5cm).
  • 7. Artist Talk  Click below to view a YouTube video on a talk by Barbara Kruger.  https://www.youtube.com/watch?v=DP 7hbDkJql8
  • 8. Kruger’s Artworks  Click to view a YouTube video of Kruger artworks.  https://www.youtube.com/watch?v=HpjGISvBSp M  Homework: Analyse one of Kruger’s work using the frame (one of the frames or the conceptual) you believe it best fits into, using no less than 500 words.